The Destiny in the Name

– the novel by the 2000 Pulitzer Prize winner for fiction Jhumpa Lahiri – was made into a film in 2006. In Italy the movie was released – and enjoyed great success – in 2007 with the title (The Destiny in the Name), an interesting transformation of the original title. What most appeals to me is the concept of homonym of which the namesake is a particular case. This will be my starting point in examining instances in which names have played crucial roles in masterpieces of western artistic tradition, while revealing their ties to a wider multi-lingual, multi-cultural, multi-ethnic world. Three examples: 1) Gogol as a character name in Jhumpa Lahiri’s postcolonial novel; 2) Vittore Carpaccio created one of his best-known and most powerful paintings because of his misunderstanding of the name of a certain holy martyr in the famous cycle ; 3) in the opening lines of the tragedy by Gotthold Ephraim Lessing, a homonym is the device that provides the first hint of the Prince’s tyrannical character. Through such case studies I will consider the intriguing way in which homonyms have been used as a powerful discourse-shaping factor and rhetorical device and so push further the theoretical framework of the reflections on names in Ingeborg Bachmann’s essay (1959/1960).