Filmmaking, Teaching and the Colonial Experience: An Immigrant's Account from "English" Canada of a Story of American Success
Date
1992
Authors
Cameron, Evan Wm.
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Abstract
A caustic commentary on the nature, scope and limits of filmmaking and the teaching of it within Canada provoked by a supposedly informed review of the former that appeared within the Globe & Mail of Toronto ("Canada's National Newspaper") in December of 1991.
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Keywords
MARRIED COUPLE, A, A TOUT PRENDRE, Beresford, Bruce, BETHUNE: THE MAKING OF A HERO, BLACK ROBE, Boston University, DEADLY CURRENTS, Drabinsky, Garth, Exhibition and Distribution of Movies, Filmmaking, Filmmaking, Canadian, Filmmaking, Teaching of, GOIN' DOWN THE ROAD, Imperialism, IN PRAISE OF OLDER WOMEN, KAMOURASKA, LA CHAT DANS LE SAC, LES MAUDITS SAUVAGES, LIES MY FATHER TOLD ME, MEATBALLS, MON ONCLE ANTOINE, NOBODY WAVED GOODBYE, PERFECTLY NORMAL, Screenwriting, Telefilm, ADJUSTOR, THE, APPRENTICESHIP OF DUDDY KRAVITZ, THE, FALLS, THE, FAMINE WITHIN, THE, GREY FOX, THE, WARRENDALE, WEDDING IN WHITE, WISECRACKS, Cameron, Evan, Cameron, Evan, Teaching, Teaching in Canada