The Music of Sting

dc.contributor.advisor	Coghlan, Michael
dc.contributor.author	Rait, Matthew Joseph
dc.date.accessioned	2019-11-22T18:49:12Z
dc.date.available	2019-11-22T18:49:12Z
dc.date.copyright	2019-05
dc.date.issued	2019-11-22
dc.date.updated	2019-11-22T18:49:12Z
dc.degree.discipline	Music
dc.degree.level	Doctoral
dc.degree.name	PhD - Doctor of Philosophy
dc.description.abstract	The relationship between Stings personal creative style and the multiple musical genres he incorporates is the primary focus of this dissertation. This study exemplifies the diverse influences that have molded Stings music throughout his life. An extensive analysis of Stings compositions and an investigation of the widespread stylist tapestry that is demonstrated in his music are considered. From classical to Brazilian composers, from Caribbean reggae to Anglo-folk, to blues, rock, pop and jazz sources, Stings mines the key elements and essence of various genres and weaves the materials into his highly original and inspired compositions.
dc.identifier.uri	http://hdl.handle.net/10315/36737
dc.language	en
dc.rights	Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subject	Fine arts
dc.subject.keywords	Music
dc.subject.keywords	Sting
dc.subject.keywords	Popular Music Analysis
dc.subject.keywords	Rock.
dc.title	The Music of Sting
dc.type	Electronic Thesis or Dissertation

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