The Exemplary Practices of David Griffith, Part 2: INTOLERANCE – 'A Drama of Comparisons'
dc.contributor.author | Cameron, Evan Wm. | |
dc.date.accessioned | 2019-05-08T15:25:25Z | |
dc.date.available | 2019-05-08T15:25:25Z | |
dc.date.issued | 1968 | |
dc.description.abstract | With the release of THE BIRTH OF A NATION in 1915, David Griffith established by common consent and emulation of his peers the prototype of international feature filmmaking – an exemplar of the possibilities of practice within a natural art. A year later he completed INTOLERANCE, the film that was to entice a young Russian, Vsevolod Pudovkin, to explain what was going on and thus complete the paradigm. Within this essay (the second of two devoted to Griffith's achievement), I concentrate upon the unprecedented patterning of the screen times that he allotted to the supposed 'four stories' of INTOLERANCE, a seldom noted but remarkable foreshadowing of the strategies of the documentary tradition. | en_US |
dc.identifier.uri | http://hdl.handle.net/10315/36204 | |
dc.language.iso | en | |
dc.rights | Attribution-NonCommercial-NoDerivs 2.5 Canada | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
dc.subject | Agee, James | en_US |
dc.subject | Antonioni, Michelangelo | en_US |
dc.subject | Barna, Yon | en_US |
dc.subject | Biography | en_US |
dc.subject | BIRTH OF A NATION, THE | en_US |
dc.subject | Brownlow, Kevin | en_US |
dc.subject | Directing | en_US |
dc.subject | Dwan, Allan | en_US |
dc.subject | Eisenstein, Sergei | en_US |
dc.subject | Film Form and Film Sense | en_US |
dc.subject | Filmmaking | en_US |
dc.subject | Filmmaking, Documentary | en_US |
dc.subject | Filmmaking, Russian and Soviet | en_US |
dc.subject | Gance, Abel | en_US |
dc.subject | Geduld, Harry M. | en_US |
dc.subject | Golden Mean | en_US |
dc.subject | Griffith, David Wark | en_US |
dc.subject | Hearing Movies | en_US |
dc.subject | History | en_US |
dc.subject | Huff, Theodore | en_US |
dc.subject | INTOLERANCE | en_US |
dc.subject | Levaco, Ron | en_US |
dc.subject | Leyda, Jay | en_US |
dc.subject | Music | en_US |
dc.subject | Narrative | en_US |
dc.subject | Naturalism | en_US |
dc.subject | Pudovkin, Vsevolod | en_US |
dc.subject | Realism | en_US |
dc.subject | RED DESERT | en_US |
dc.subject | Screenwriting | en_US |
dc.subject | Screenwriting, History of | en_US |
dc.subject | Screenwriting, Teaching of | en_US |
dc.subject | Stroheim, Eric | en_US |
dc.subject | Zukor, Adolph | en_US |
dc.subject | Cameron, Evan | en_US |
dc.title | The Exemplary Practices of David Griffith, Part 2: INTOLERANCE – 'A Drama of Comparisons' | en_US |
dc.type | Presentation | en_US |
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