Eisenstein, Part 1: 'A Fly in the Fly-Bottle' – Montage to 1930

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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2020-02-06T18:57:10Z
dc.date.available2020-02-06T18:57:10Z
dc.date.issued1967
dc.description.abstractFew artists have tried harder than Sergei Eisenstein to understand what they were doing, how and why, as they fashioned early on the works that made them famous, and no one among them has ever affirmed later on – with such clarity and conviction – how and why they had at the time misconceived what they were doing, and what lessons they had learned about their art from having done so. Though some filmmakers understood afterwards what Eisenstein had achieved by rethinking what he had done, few commentators, unable to sense hands-on its impetus or consequences, have proven capable of acknowledging it. Within this essay (Part I) I shall unpack what Eisenstein said early on of the mistake that he was making – before recognising it as such. I shall then in a second essay (Part II) reconstrue it definitively as he did later on – after the recognition.en_US
dc.identifier.urihttp://hdl.handle.net/10315/36965
dc.language.isoenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectAestheticsen_US
dc.subjectALEXANDER NEVSKYen_US
dc.subjectAustin, John L.en_US
dc.subjectAutobiographyen_US
dc.subjectBATTLESHIP POTEMKIN, THEen_US
dc.subjectBiographyen_US
dc.subjectCavell, Stanleyen_US
dc.subjectCinematographyen_US
dc.subjectColouren_US
dc.subjectConrad, Josephen_US
dc.subjectDirectingen_US
dc.subjectEditingen_US
dc.subjectEisenstein, Sergeien_US
dc.subjectEngels, Friedrichen_US
dc.subjectFilm Form and Film Senseen_US
dc.subjectFilmmakingen_US
dc.subjectFilmmaking, Russian and Sovieten_US
dc.subjectFilmmaking, Teaching ofen_US
dc.subjectFlaherty, Roberten_US
dc.subjectGENERAL LINE, THE (OLD AND NEW)en_US
dc.subjectGoodman, Nelsonen_US
dc.subjectGriffith, David Warken_US
dc.subjectHieroglyphsen_US
dc.subjectHistoryen_US
dc.subjectIdeologiesen_US
dc.subjectIVAN THE TERRIBLEen_US
dc.subjectKuleshov, Leven_US
dc.subjectLeyda, Jayen_US
dc.subjectMarshall, Herberten_US
dc.subjectMarx, Karlen_US
dc.subjectMeyerhold, Vsevoloden_US
dc.subjectMontageen_US
dc.subjectMorris, Peteren_US
dc.subjectMoussinac, Léonen_US
dc.subjectNizhny, Vladimiren_US
dc.subjectOCTOBERen_US
dc.subjectPhilosophical Investigationsen_US
dc.subjectPhilosophyen_US
dc.subjectPudovkin, Vsevoloden_US
dc.subjectQuine, Willard van Ormanen_US
dc.subjectRealismen_US
dc.subjectSadoul, Georgesen_US
dc.subjectSchopenhauer, Arthuren_US
dc.subjectScreenwritingen_US
dc.subjectScreenwriting, History ofen_US
dc.subjectScreenwriting, Teaching ofen_US
dc.subjectSeeing Moviesen_US
dc.subjectSemiologyen_US
dc.subjectStalin, Josephen_US
dc.subjectSTRIKEen_US
dc.subjectSymboliseen_US
dc.subjectTaylor, Richarden_US
dc.subjectVertov, Dzigaen_US
dc.subjectWald, Georgeen_US
dc.subjectWittgenstein, Ludwigen_US
dc.subjectCameron, Evanen_US
dc.titleEisenstein, Part 1: 'A Fly in the Fly-Bottle' – Montage to 1930en_US
dc.typePresentationen_US

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