Making Place Work: Site-Specific Socially Engaged Art in 21st Century Toronto

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dc.contributor.advisorBarndt, Deborah
dc.creatorHutcheson, Maggie
dc.date.accessioned2015-08-28T15:34:26Z
dc.date.available2015-08-28T15:34:26Z
dc.date.copyright2014-12-10
dc.date.issued2015-08-28
dc.date.updated2015-08-28T15:34:26Z
dc.degree.disciplineEnvironmental Studies
dc.degree.levelDoctoral
dc.degree.namePhD - Doctor of Philosophy
dc.description.abstractSite-specific socially engaged art practices are on the rise, particularly in cities. Global migration, global networks and online communication notwithstanding, artists, curators and cultural institutions are increasingly working to “activate” audiences in and through local encounters premised on shared exploration of specific urban sites. What kinds of social engagement are made possible through these local encounters? And what kinds of engagement are precluded or overlooked when artists try to engage their publics site-specifically? This dissertation considers site-specific socially engaged art in the context of 21st Century Toronto, a city that is rife with multiple historical and ongoing displacements and that is also facing new challenges, including increasing spatial polarization along class and race lines and considerable political apathy. Drawing both on critical theories of place and contemporary literature on socially engaged art, I offer a new set of criteria for analysis of site-specific social engagement, as well as three in-depth examinations of site-specific socially engaged art practices. I look at the work of REPOhistory (New York, 1989-2000), Jumblies Theatre (Toronto, 2001- ) and DEPARTMENT OF PUBLIC MEMORY (Toronto, 2011- ). My analysis suggests that social engagement premised on site-specificity is promising, in that it can foster new forms of civic dialogue, but is ideally approached with a fluid spatial imagination, relationally specific awareness of urban dynamics, and close attention to social conflicts. This dissertation contributes to the emergent literature on creative placemaking and to the burgeoning scholarship on socially engaged art.
dc.identifier.urihttp://hdl.handle.net/10315/30061
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectArt criticism
dc.subjectEnvironmental studies
dc.subjectGeography
dc.subject.keywordsSite-specific
dc.subject.keywordsSite-specificity
dc.subject.keywordsSocially engaged art
dc.subject.keywordsSocial practice
dc.subject.keywordsCommunity art
dc.subject.keywordsSense of place
dc.subject.keywordsPlace-making
dc.subject.keywordsPlacemaking
dc.subject.keywordsCreative placemaking
dc.subject.keywordsWrong place
dc.subject.keywordsSocial engagement
dc.subject.keywordsTransnational city
dc.subject.keywordsLocal
dc.subject.keywordsLure of the local
dc.subject.keywordsREPOhistory
dc.subject.keywordsJumblies Theatre
dc.subject.keywordsDepartment of Public Memory
dc.subject.keywordsToronto
dc.subject.keywordsGrant Kester
dc.subject.keywordsClaire Bishop
dc.subject.keywordsMiwon Kwon
dc.subject.keywordsLucy Lippard
dc.subject.keywordsDoreen Massey
dc.titleMaking Place Work: Site-Specific Socially Engaged Art in 21st Century Toronto
dc.typeElectronic Thesis or Dissertationen_US

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