Time, Bergson and the Film Theory of Andrei Tarkovsky
dc.contributor.author | Totaro, Donato | |
dc.date.accessioned | 2020-07-09T14:27:22Z | |
dc.date.available | 2020-07-09T14:27:22Z | |
dc.date.issued | 1990 | |
dc.degree.grantor | York University | |
dc.description.abstract | A thesis by Donato Totaro [M.F.A., 1990] on the affinities between the philosophical conjectures of Henri Bergson and the movies and remarks on filmmaking of Andrei Tarkovsky. | en_US |
dc.identifier.uri | https://hdl.handle.net/10315/37610 | |
dc.language.iso | en | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 2.5 Canada | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
dc.subject | Aesthetics | en_US |
dc.subject | Bergson, Henri | en_US |
dc.subject | Consciousness | en_US |
dc.subject | Creative Mind, The | en_US |
dc.subject | Directing | en_US |
dc.subject | Duration | en_US |
dc.subject | Editing | en_US |
dc.subject | Eisenstein, Sergei | en_US |
dc.subject | Evolution | en_US |
dc.subject | Film Theory | en_US |
dc.subject | Filmmaking | en_US |
dc.subject | Filmmaking, Russian and Soviet | en_US |
dc.subject | Idealism | en_US |
dc.subject | Innis, Harold | en_US |
dc.subject | Intuition | en_US |
dc.subject | Matter and Memory | en_US |
dc.subject | Memory | en_US |
dc.subject | Metaphysics | en_US |
dc.subject | Montage | en_US |
dc.subject | Nostalghia | en_US |
dc.subject | Philosophy | en_US |
dc.subject | Realism | en_US |
dc.subject | Religion | en_US |
dc.subject | Rhythm | en_US |
dc.subject | Sculpting in Time | en_US |
dc.subject | Spatializing Time | en_US |
dc.subject | STALKER | en_US |
dc.subject | Tarkovsky, Andrei | en_US |
dc.subject | Theories | en_US |
dc.subject | Time and Free Will | en_US |
dc.subject | Totaro, Donato | en_US |
dc.subject | Cameron, Evan | |
dc.title | Time, Bergson and the Film Theory of Andrei Tarkovsky | en_US |
dc.type | Electronic Thesis or Dissertation | en_US |
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