Me, Myself, and Interface: The Role of Affordances in Digital Visual Self-Representational Practices

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dc.contributor.advisorJenson, Jennifer, Dr.
dc.creatorMcArthur, Victoria Marie
dc.date.accessioned2015-08-28T15:29:41Z
dc.date.available2015-08-28T15:29:41Z
dc.date.copyright2015-03-27
dc.date.issued2015-08-28
dc.date.updated2015-08-28T15:29:41Z
dc.degree.disciplineCommunication & Culture, Joint Program with Ryerson University
dc.degree.levelDoctoral
dc.degree.namePhD - Doctor of Philosophy
dc.description.abstractA growing number of digital games and virtual worlds allow users to create a virtual self, commonly referred to as an ‘avatar.’ Essentially, the avatar is a digital entity which is controlled by the user to attain agency within the virtual world. Avatars are visually customized by users via interfaces, referred to within the body of this work as Character Creation Interfaces (CCIs). CCIs are often framed as tools that are utilized by players to create a desired avatar. In other words, the popular approach is one that is anthropocentric in nature and neglects to take into account the ways in which interface affordances - the action possibilities afforded by an artifact - potentially constrain our interactions with them. In my dissertation, I argue that CCIs co-construct avatars with players. I mobilize Actor-Network Theory in order to re-position these interfaces as actors, rather than benign tools in digital-visual self-representational practices. In order to investigate the interface-as-actor I present an analytical framework: the Avatar Affordances Framework, and apply this framework to 20 CCIs in order to systematically study their affordances. In the second phase of this investigation, I present data on two user studies: the first, a within-subjects study investigating self-representational practices in the Massively-Multiplayer-Onlne-Game (MMOG) Rift (n = 39), the other, a between-subjects study of self-representational practices on the Nintendo WiiU console's MiiCreator (n = 24). Results of these two studies are presented alongside analytical data derived from both interfaces via the Avatar Affordances Framework in order to illustrate how interface affordances are negotiated by players. A final study, an autoethnographic chapter, situates myself within the dissertation as both a researcher and user of the technology, addressing how my own experiences with these games, and my own self-representational practices, have come to shape this research. Data from the aforementioned studies was then utilized in order to generate a list of best practices for game developers. To date, such documentation is absent from game design literature. It is my hope that the practices outlined herein help developers make design choices that invite opportunities for identity play without simultaneously creating socially exclusive spaces.
dc.identifier.urihttp://hdl.handle.net/10315/30044
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectCommunication
dc.subjectCultural anthropology
dc.subjectDesign
dc.subject.keywordsDigital games
dc.subject.keywordsHuman-computer interaction
dc.subject.keywordsEthnography
dc.subject.keywordsMicroethnography
dc.subject.keywordsAutoethnography
dc.subject.keywordsActor-network theory
dc.subject.keywordsGender
dc.subject.keywordsIdentity
dc.subject.keywordsSelf-representation
dc.subject.keywordsMMORPG
dc.subject.keywordsInterface analysis
dc.subject.keywordsAvatar affordances framework
dc.titleMe, Myself, and Interface: The Role of Affordances in Digital Visual Self-Representational Practices
dc.typeElectronic Thesis or Dissertationen_US

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