Reviving Craft in a Context of Design: Physical Practice in a Digital Culture
dc.contributor.advisor | Cabianca, David | |
dc.creator | Grzeskowiak, Julia | |
dc.date.accessioned | 2017-07-27T14:00:28Z | |
dc.date.available | 2017-07-27T14:00:28Z | |
dc.date.copyright | 2017-04-28 | |
dc.date.issued | 2017-07-27 | |
dc.date.updated | 2017-07-27T14:00:28Z | |
dc.degree.discipline | Design | |
dc.degree.level | Master's | |
dc.degree.name | MDes - Master of Design | |
dc.description.abstract | In the pursuit of speed and efficiency, contemporary visual communication eradicates the essence of the individual in favour of certainty. Mass production and the rational thought processes that steer Western Culture have caused much of the human relationship with the physical world to deteriorate. This graphic design research employs craft processes and theories of the discipline to explore the irregularities engendered by the human hand. It does so by merging production methods involving both analogue and digital operations. The unique vagaries of handcraft inform aesthetic experience by enriching communication culture with the haptic qualities of the individual. By combining strategies of risk and certainty, handcraft procedures complement the work of mechanical production and serves as a potential cultural instrument. Together these production methods culminate in a richer means of communication that reveals an ontological relationship between form and representation, one which affirms and counters the alienation of a modern world. | |
dc.identifier.uri | http://hdl.handle.net/10315/33624 | |
dc.language.iso | en | |
dc.rights | Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests. | |
dc.subject | Fine arts | |
dc.subject.keywords | Design | |
dc.subject.keywords | Graphic design | |
dc.subject.keywords | Design education | |
dc.subject.keywords | Graphic design education | |
dc.subject.keywords | Craft | |
dc.subject.keywords | Craftsmanship | |
dc.subject.keywords | Handcraft | |
dc.subject.keywords | Analogue production | |
dc.subject.keywords | Digital production | |
dc.subject.keywords | Aesthetics | |
dc.subject.keywords | Perception | |
dc.subject.keywords | Haptic | |
dc.subject.keywords | Visual communication | |
dc.subject.keywords | Form and representation | |
dc.subject.keywords | Semiotics | |
dc.subject.keywords | Semiology | |
dc.subject.keywords | Physical thinking | |
dc.subject.keywords | Risk | |
dc.subject.keywords | Form | |
dc.subject.keywords | Phenomenology | |
dc.subject.keywords | Reviving | |
dc.subject.keywords | Design research | |
dc.subject.keywords | Fine arts | |
dc.subject.keywords | Handmade | |
dc.subject.keywords | Bricolage | |
dc.subject.keywords | Nature | |
dc.subject.keywords | Imperfection | |
dc.subject.keywords | Visual language | |
dc.subject.keywords | Physical knowledge | |
dc.subject.keywords | Tacit | |
dc.subject.keywords | Tacit knowledge | |
dc.subject.keywords | Contemporary communication | |
dc.subject.keywords | Found object | |
dc.subject.keywords | Transformation | |
dc.subject.keywords | Hybrid methodology | |
dc.subject.keywords | Discipline of design | |
dc.subject.keywords | Craft practice | |
dc.subject.keywords | Aesthetic perception | |
dc.subject.keywords | Workmanship of risk | |
dc.subject.keywords | Workmanship of certainty | |
dc.subject.keywords | David Pye | |
dc.subject.keywords | Peter Dormer | |
dc.subject.keywords | Glenn Adamson | |
dc.subject.keywords | Production | |
dc.subject.keywords | Work of art | |
dc.subject.keywords | Design and art | |
dc.subject.keywords | Design and craft | |
dc.subject.keywords | Form and function | |
dc.subject.keywords | ||
dc.subject.keywords | Print design | |
dc.subject.keywords | Poster | |
dc.subject.keywords | Posters | |
dc.subject.keywords | Book | |
dc.subject.keywords | Book design | |
dc.subject.keywords | Thread | |
dc.subject.keywords | Sewing | |
dc.subject.keywords | Sewn | |
dc.subject.keywords | Sew | |
dc.subject.keywords | Abstract | |
dc.subject.keywords | Flower | |
dc.subject.keywords | Flowers | |
dc.subject.keywords | Signifier and signified | |
dc.subject.keywords | Signifier | |
dc.subject.keywords | Signified | |
dc.subject.keywords | Aesthetic philosophy | |
dc.subject.keywords | Philosophy of aesthetics | |
dc.subject.keywords | Heidegger | |
dc.subject.keywords | Deleuze | |
dc.subject.keywords | Badiou | |
dc.subject.keywords | William morris | |
dc.subject.keywords | Virilio | |
dc.subject.keywords | Content | |
dc.subject.keywords | Thinking | |
dc.subject.keywords | Making | |
dc.subject.keywords | Designer | |
dc.subject.keywords | Conceptual knowledge | |
dc.subject.keywords | Conceptual | |
dc.subject.keywords | Individual | |
dc.subject.keywords | Culture | |
dc.subject.keywords | Communication culture | |
dc.subject.keywords | Critique | |
dc.subject.keywords | Material | |
dc.subject.keywords | Physical presence | |
dc.subject.keywords | Sensitivity | |
dc.subject.keywords | Artist | |
dc.subject.keywords | Authenticity | |
dc.subject.keywords | Inquiry | |
dc.subject.keywords | Design inquiry | |
dc.subject.keywords | Language | |
dc.subject.keywords | Surprise | |
dc.subject.keywords | Uncertainty | |
dc.subject.keywords | Physical practice | |
dc.subject.keywords | Digital culture | |
dc.subject.keywords | Mdes | |
dc.title | Reviving Craft in a Context of Design: Physical Practice in a Digital Culture | |
dc.type | Electronic Thesis or Dissertation |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- Grzeskowiak_Julia_2017_Masters.pdf
- Size:
- 51.99 MB
- Format:
- Adobe Portable Document Format