Couroux, Marc G.2018-11-212018-11-212018-05-102018-11-21http://hdl.handle.net/10315/35471This research process is rooted in a material practice and in the temporal apprehension of objects and everyday materials, extending and complexifying the concept of the readymade (as first introduced by Marcel Duchamp). The focus on materiality separates this research from more traditional time-based art practices such as video, sound, or performance, as I seek to investigate the temporal properties of a sculptural experience. The complexities involved in the object-subject relation are at the core of my research.enAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.Fine artsElectronic Thesis or Dissertation2018-11-21Practice-based researchSculptureReadymadeAbstractionLanguageTimePlaceContextSituationStudio practiceOrientationGravityMaterialityColourObject-subject relationPost-minimalSituation aestheticsNothingnessVisual arts