McCullough, JohnWood, Glen Paul2020-11-132020-11-132020-082020-11-13http://hdl.handle.net/10315/37911This dissertation examines self-documenting subcultures and the role of media within them. The production and distribution of subcultural media is largely governed by intracultural industries. Elite practitioners and media-makers are incentivized to document performances that are deemed essential to the preservation of the status quo. This constructed dependency reflects and reproduces an ethos of conformity that pervades both social interactions and subcultural representations. The production of media and meaning is constrained by the presence of prescriptive formal conventions propagated by elite producers. These conditions, in part, result in the institutionalization of conformity. The inclusion of three case studies in this work illustrates the theoretical and methodological framework that classifies these formations under a new typology. Accordingly, this dissertation introduces an alternative approach to the study of subcultures.Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.Film studiesElectronic Thesis or Dissertation2020-11-13Self-documenting SubculturesSubculturesUrban SubculturesSkateboardingDirt-bike RidingHardcoreHardcore PunkStraightedgeSport SociologyDirt-bikesDirt BikesSkateboard