On the Inductive Structure of Works of Art (Summary)

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dc.contributor.authorCameron, Evan Wm.
dc.date.accessioned2020-04-20T16:17:52Z
dc.date.available2020-04-20T16:17:52Z
dc.date.issued1970
dc.degree.grantorBoston University
dc.description.abstractA summary of the discussion and conclusions of the author's dissertation 'On the Inductive Structure of Works of Art', submitted and defended in May of 1970, comprising a revision of Chapter II amended at beginning and end to encompass material from the Introduction and Conclusion of the thesis, designed to enable readers to grasp the nature and consequences of its core conjecture – that works of art must be structured to be playable as inductive games if they are to be experienced powerfully – without attending to the logical and mathematical enquiries of Chapter I.en_US
dc.identifier.urihttps://hdl.handle.net/10315/37200
dc.language.isoenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 2.5 Canada*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectAestheticsen_US
dc.subjectArt, Structures ofen_US
dc.subjectCognitionen_US
dc.subjectComedyen_US
dc.subjectGames & Puzzlesen_US
dc.subjectInductionen_US
dc.subjectLogicen_US
dc.subjectMusicen_US
dc.subjectMusic, Composing ofen_US
dc.subjectPerceptionen_US
dc.subjectPerception, Colouren_US
dc.subjectPhilosophyen_US
dc.subjectPlaywritingen_US
dc.subjectProbability Theoryen_US
dc.subjectScreenwritingen_US
dc.subjectTragedyen_US
dc.subjectVisual Art, Design ofen_US
dc.subjectCameron, Evanen_US
dc.titleOn the Inductive Structure of Works of Art (Summary)en_US
dc.typeElectronic Thesis or Dissertationen_US

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